Western Lane Cover Image


Western Lane

Author/Uploaded by Chetna Maroo


 Contents
 
 Title Page
 Copyright Notice
 Dedication
 One
 Two
 Three
 Four
 Five
 Six
 Seven
 Eight
 Acknowledgements
 About the Author
 Newsletter Sign-up
 Copyright
 
 
 
 Guide
 
 Cover
 Start of Content
 Title Page
 Dedication
 ONE
 Acknowledgments
 Contents
 Copyright&#13...

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 Contents
 
 Title Page
 Copyright Notice
 Dedication
 One
 Two
 Three
 Four
 Five
 Six
 Seven
 Eight
 Acknowledgements
 About the Author
 Newsletter Sign-up
 Copyright
 
 
 
 Guide
 
 Cover
 Start of Content
 Title Page
 Dedication
 ONE
 Acknowledgments
 Contents
 Copyright
 
 
 
 Pagebreaks of the print version
 
 Cover Page
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 iv
 
 
 
 
 
 
 
 
 
 
 
 
 Begin Reading
 Table of Contents
 A Note About the Author
 Copyright Page
 
 
 
 The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy.
 
 
 For Jot
 
 
 
 ONE
 
 I don’t know if you have ever stood in the middle of a squash court – on the T – and listened to what is going on next door. What I’m thinking of is the sound from the next court of a ball hit clean and hard. It’s a quick, low pistol-shot of a sound, with a close echo. The echo, which is the ball striking the wall of the court, is louder than the shot itself. This is what I hear when I remember the year after our mother died, and our father had us practicing at Western Lane two, three, four hours a day. It must have been an evening session after school, the first time I noticed it. My legs were so tired I didn’t know if I could keep going and I was just standing on the T with my racket head down, looking at the side wall that was smudged with the washed-out marks from all the balls that had skimmed its surface. I was supposed to serve, and my father would return with a drive and I would volley, and my father would drive, and I would volley, aiming always for the red service line on the front wall. My father was standing far back, waiting. I knew from his silence that he wasn’t going to move first, and all I could do was serve and volley or disappoint him. The smudges on the wall blurred one into the other and I thought that surely I would fall. That was when it started up. A steady, melancholy rhythm from the other court, the shot and its echo, over and over again, like some sort of deliverance. I could tell it was one person conducting a drill. And I knew who it was. I stood there, listening, and the sound poured into me, into my nerves and bones, and it was with a feeling of having been rescued that I raised my racket and served.
 
 THERE WERE THREE of us, all girls. When Ma died, I was eleven, Khush was thirteen, Mona fifteen. We’d been playing squash and badminton twice a week ever since we were old enough to hold a racket, but it was nothing like the regime that came after. Mona said that all of it, the sprints and the ghosting and the three-hour drills, started when our aunt Ranjan told Pa that what we girls needed was exercise and discipline and Pa sat quiet and let her tell him what to do.
 That was at the beginning of autumn. The weather had turned from unseasonably dry and warm to humid. The air was oppressive and the streets smelled of decomposing food. In this heat, a number of days after Ma’s funeral, we had driven four hundred miles to Edinburgh to have a meal at our aunt’s home to mark the end of our mourning period, and Aunt Ranjan told Pa we were wild.
 We were right there in her kitchen with her and Pa when she said it. Mona was washing potatoes in the sink. Her head was bowed and her sleeves were pushed to her elbows because she wasn’t just rinsing the mud away. She was really scrubbing. Her ponytail swung over one shoulder. Khush was peeling slowly, staring out of the window. I was at the table seeding pomegranates. Aunt Ranjan had scolded Khush for wearing her hair loose in the kitchen, and then she’d turned to me and pulled up half of the white cloth and put newspapers down so I wouldn’t get juice on her new dining set. It was a beautiful set, waxed and dark.
 From where I was sitting I could see the gulab jamun Aunt Ranjan had prepared early that same morning. The dark-golden balls of sponge were already soaked in sugar syrup and piled generously in a glass bowl at the end of the counter.
 Aunt Ranjan saw me looking.
 “Gopi,” she said.
 I froze in place, blushing fiercely at the sound of my name.
 Aunt Ranjan stood up. She positioned herself so that she blocked my view of the sweets. I didn’t know why but it seemed important to me that I not shift my focus, that I make it seem as if

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