Author/Uploaded by Ciera Horton McElroy
Contents Cover Title Page Copyright Dedication Part I Nellie Wilson Dean Nellie Dean Wilson Dean Nellie Dean Nellie Dean Nellie Wilson Dean Part II Nellie Dean Nellie Dean Wilson Nellie Dean Nellie Dean Nellie Dean&...
Contents Cover Title Page Copyright Dedication Part I Nellie Wilson Dean Nellie Dean Wilson Dean Nellie Dean Nellie Dean Nellie Wilson Dean Part II Nellie Dean Nellie Dean Wilson Nellie Dean Nellie Dean Nellie Dean Nellie Dean Acknowledgments Guide Cover Title Page Copyright Dedication Part I Nellie Acknowledgments Start to Contents Pagebreaks of the Print Version Cover Page iii iv v 1 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 63 64 65 66 67 68 69 70 71 72 73 75 76 77 79 80 81 82 83 84 85 86 87 88 89 90 91 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 131 132 133 134 135 136 137 138 139 141 143 144 145 146 147 148 149 150 151 153 154 155 156 157 158 159 160 161 162 163 164 165 167 169 171 172 173 174 175 176 177 178 179 180 181 183 184 185 186 187 188 189 190 191 193 194 195 196 197 198 199 201 202 203 204 205 206 207 208 209 210 211 212 213 215 216 217 218 219 220 221 222 223 224 225 226 227 229 230 231 232 233 234 235 236 237 238 239 241 242 243 245 246 247 249 250 251 253 255 256 257 259 260 261 262 263 Atomic Family A Novel CIERA HORTON MCELROY —BLAIR— Copyright © 2023 by Ciera Horton McElroy All rights reserved Printed in the United States of America Cover design by Laura Williams Interior design by April Leidig Blair is an imprint of Carolina Wren Press. The mission of Blair/Carolina Wren Press is to seek out, nurture, and promote literary work by new and underrepresented writers. We gratefully acknowledge the ongoing support of general operations by the Durham Arts Council’s United Arts Fund and the North Carolina Arts Council. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without the prior permission of the copyright owner. This novel is a work of fiction. As in all fiction, the literary perceptions and insights are based on experience; however, all names, characters, places, and incidents are either products of the author’s imagination or are used fictitiously. No reference to any real person is intended or should be inferred. Library of Congress Cataloging-in-Publication Data Names: McElroy, Ciera Horton, 1995– author. Title: Atomic family : a novel / Ciera Horton McElroy. Description: Durham : Blair, [2022] Identifiers: LCCN 2022025122 (print) | LCCN 2022025123 (ebook) | ISBN 9781949467949 (hardcover) | ISBN 9781949467956 (ebook) Subjects: LCGFT: Novels. Classification: LCC PS3613.C4226 A94 2022 (print) | LCC PS3613.C4226 (ebook) | DDC 813/.6—dc23/eng/20220525 LC record available at https://lccn.loc.gov/2022025122 LC ebook record available at https://lccn.loc.gov/2022025123 For Mitchell and Foster And for Dad, of course PART I Today, every inhabitant of this planet must contemplate the day when this planet may no longer be habitable. Every man, woman and child lives under a nuclear sword of Damocles, hanging by the slenderest of threads, capable of being cut at any moment by accident or miscalculation or by madness. The weapons of war must be abolished before they abolish us. —John F. Kennedy, Address before the United Nations, 1961 Do I love this world so well That I have to know how it ends? —W. H. Auden, The Age of Anxiety FIRST, THERE IS THE PLANE. The boy watches from the water tower, using his binoculars for a closer look. It moves slowly, widens like an ink spill. The sky is gray, the light pale. This is November 1, 1961. A Wednesday. Below him, the boy can see the whole town. The houses are brick and uniform. South Carolina flags flap blue and white in the wind. Pumpkins still smile from porches, and paper lanterns lie abandoned on the sidewalks, crumpled now and singed. A procession of women marches down Main Street. They’re wearing black and carrying signs. On the edge of town is the bomb plant, all cement, steel, and smoke, with men in hard hats, men with briefcases, men in army vests with guns strapped to their backs. Past the barbed perimeter, down the snaking river, vapor dissolves over the cypress trees like breath in cold air. The steam is a steady cloud that cups the town. When the plane passes, its pewter belly low in the sky, there is a roar, then a cavity of quiet. But what the protesters will remember are the birds: that shock of frightened plovers. The women lower their pickets, pause with their baby carriages. They watch the gray clouds shift above them, see the ruffle of white and brown feathers as the birds lift into the sky. They return their gaze to the courthouse, where a woman in black stands warning about nuclear war. Just below the boy is a schoolyard, brick and columned. The water tower rises to the sky like a watchman along the school’s fenced wall. This is where the children stand screaming, pointing up. They see his little brown head, far above them, barely discernible at the tower’s edge. He watches the plane. It’s only a passenger plane, heading to Atlanta. But the boy perched on the water tower does not know this. Their town is the site of
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Year: 2023
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