Encore in Death Cover Image


Encore in Death

Author/Uploaded by J. D. Robb


 Contents
 
 Title Page
 Copyright Notice
 Epigraphs
 Chapter 1
 Chapter 2
 Chapter 3
 Chapter 4
 Chapter 5
 Chapter 6
 Chapter 7
 Chapter 8
 Chapter 9
 Chapter 10
 Chapter 11
 Chapter 12
 Chapter 13
 Chapter 14
 Chapter 15
 Chapter 16
 Chapter 17
 Chapter 18
 Chapter 19
 Chapter 20
 Chapter 21...

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 Contents
 
 Title Page
 Copyright Notice
 Epigraphs
 Chapter 1
 Chapter 2
 Chapter 3
 Chapter 4
 Chapter 5
 Chapter 6
 Chapter 7
 Chapter 8
 Chapter 9
 Chapter 10
 Chapter 11
 Chapter 12
 Chapter 13
 Chapter 14
 Chapter 15
 Chapter 16
 Chapter 17
 Chapter 18
 Chapter 19
 Chapter 20
 Chapter 21
 Chapter 22
 Chapter 23
 Epilogue
 Titles by J. D. Robb
 About the Author
 Newsletter Sign-up
 Copyright
 
 
 
 Guide
 
 Cover
 Title Page
 Chapter 1
 Contents
 Copyright
 
 
 
 Pagebreaks of the print version
 
 Cover Page
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 Begin Reading
 Table of Contents
 About the Author
 Copyright Page
 
 Thank you for buying this
 St. Martin’s Publishing Group ebook.
 
 To receive special offers, bonus content,
 and info on new releases and other great reads,
 sign up for our newsletters.
 
 
 Or visit us online at
 us.macmillan.com/newslettersignup
 
 For email updates on the author, click here.
 
 
 The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy.
 
 
 
 All the world’s a stage,
 And all the men and women merely players;
 They have their exits and their entrances.
 —William Shakespeare
 There’s no business like show business.
 —Irving Berlin
 
 
 
 1
 
 Death, unexpected and tragic, threw open the door to opportunity. At the tender age of eighteen, Eliza Lane walked through the door, entering stage left. And brought down the house.
 Tears for a lost friend, for a member of her theatrical family, she wrote in her memoir, had to wait. The show must, and did, go on, and she dedicated her opening night performance in Upstage, and all that followed, to Leah Rose.
 Leah Rose, dead at the tender age of eighteen from a deadly combination of pills and vodka, hours before her opening on Broadway.
 And so Eliza—Angie, swing, understudy to Ms. Rose—stepped into the spotlight as Marcie Bright in Cabot and Lowe’s Upstage, September 22, 2036. Curtain at eight.
 She’d held that spotlight for twenty-five years, through talent, discipline, hard work, a dedication to her craft, and a keen instinct for the right part at the right time.
 There had been downs as well as ups. A broken ankle during rehearsals that had cost her a plum role in a film musical—for which her replacement won a Golden Globe. A shattered love affair in her twenties and the snickering media that followed. The deaths of her parents in a fatal car crash. The divorce in her thirties that cost her dearly— emotionally and financially.
 But Eliza believed in staring the downs in the face and working for the ups. Her pride in and her love of her art demanded she give no less than her best each time, every time she stepped onstage or in front of a camera.
 The fact she demanded the same of anyone who worked with her gave her the reputation as a bitch in some circles. She accepted that, even prized it.
 She had acquaintances by the score, but only a few she considered true friends. Her rivals were many, and she assumed a few of that number rose to the level of enemy.
 That was show business, after all.
 And still, she’d never have believed anyone who knew her—or thought they did—wanted to kill her.
 Twenty-five years after her star-making performance, she opened her grand and glorious New York home to the cast and crew, the friends and frenemies, to select media and critics. She

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