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Last Shot

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L A S T S H O T (A Kaylie Brooks Psychological Suspense Thriller—Book 4) K a t e B o l d Kate Bold Bestselling author Kate Bold is author of the ALEXA CHASE SUSPENSE THRILLER series, comprising six books (and counting); the ASHLEY HOPE SUSPENSE THRILLER series, comprising six books (and counting); the CAMILLE GRACE FBI SUSPENSE THRILLER series, comprising eight books (and counting); the HARLEY CO...

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L A S T S H O T (A Kaylie Brooks Psychological Suspense Thriller—Book 4) K a t e B o l d Kate Bold Bestselling author Kate Bold is author of the ALEXA CHASE SUSPENSE THRILLER series, comprising six books (and counting); the ASHLEY HOPE SUSPENSE THRILLER series, comprising six books (and counting); the CAMILLE GRACE FBI SUSPENSE THRILLER series, comprising eight books (and counting); the HARLEY COLE FBI SUSPENSE THRILLER series, comprising seven books (and counting); and the KAYLIE BROOKS PSYCHOLOGICAL SUSPENSE THRILLER series, comprising five books (and counting). An avid reader and lifelong fan of the mystery and thriller genres, Kate loves to hear from you, so please feel free to visit www.kateboldauthor.com to learn more and stay in touch. Copyright © 2023 by Kate Bold. All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior permission of the author. This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return it and purchase your own copy. Thank you for respecting the hard work of this author. This is a work of fiction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used fictionally. Any resemblance to actual persons, living or dead, is entirely coincidental. Jacket image Copyright Volodymyr TVERDOKHLIB, used under license from Shutterstock.com. BOOKS BY KATE BOLD ALEXA CHASE SUSPENSE THRILLER THE KILLING GAME (Book #1) THE KILLING TIDE (Book #2) THE KILLING HOUR (Book #3) THE KILLING POINT (Book #4) THE KILLING FOG (Book #5) THE KILLING PLACE (Book #6) ASHLEY HOPE SUSPENSE THRILLER LET ME GO (Book #1) LET ME OUT (Book #2) LET ME LIVE (Book #3) LET ME BREATHE (Book #4) LET ME FORGET (Book #5) LET ME ESCAPE (Book #6) CAMILLE GRACE FBI SUSPENSE THRILLER NOT ME (Book #1) NOT NOW (Book #2) NOT WELL (Book #3) NOT HER (Book #4) NOT NORMAL (Book #5) NOT AGAIN (Book #6) NOT SAFE (Book #7) NOT TODAY (Book #8) HARLEY COLE FBI SUSPENSE THRILLER NOWHERE SAFE (Book #1) NOWHERE LEFT (Book #2) NOWHERE TO RUN (Book #3) NOWHERE LIKE THIS (Book #4) NOWHERE GIRL (Book #5) NOWHERE TO HIDE (Book #6) NOWHERE CERTAIN (Book #7) KAYLIE BROOKS PYSCHOLOGICAL SUSPENSE THRILLER LAST BREATH (Book #1) LAST CHANCE (Book #2) LAST WISH (Book #3) LAST SHOT (Book #4) LAST MISTAKE (Book #5) CONTENTS PROLOGUE CHAPTER ONE CHAPTER TWO CHAPTER THREE CHAPTER FOUR CHAPTER FIVE CHAPTER SIX CHAPTER SEVEN CHAPTER EIGHT CHAPTER NINE CHAPTER TEN CHAPTER ELEVEN CHAPTER TWELVE CHAPTER THIRTEEN CHAPTER FOURTEEN CHAPTER FIFTEEN CHAPTER SIXTEEN CHAPTER SEVENTEEN CHAPTER EIGHTEEN CHAPTER NINETEEN CHAPTER TWENTY CHAPTER TWENTY ONE CHAPTER TWENTY TWO CHAPTER TWENTY THREE CHAPTER TWENTY FOUR CHAPTER TWENTY FIVE CHAPTER TWENTY SIX CHAPTER TWENTY SEVEN CHAPTER TWENTY EIGHT CHAPTER TWENTY NINE CHAPTER THIRTY CHAPTER THIRTY ONE CHAPTER THIRTY TWO EPILOGUE PROLOGUE "You think we can afford it?" Charmaine Gibson whispered to her husband, Ronald. She wasn't sure why she whispered. It wasn't as if anyone else could hear her, because they were standing in the middle of a living room so large and spacious that it was more like a ballroom. There was nobody else in sight. Ronald muttered back to her, sounding frustrated. "Babe, I don't even know what we're doing in here. It's like, we started off the day in a normal-sized house which I quite liked. Then we went to look at a bigger one. Then it was an even bigger one with grounds that would take the weekend to mow. And now we're here!" Charmaine pressed her lips together, tossing back her artfully highlighted hair, which had recently had an expensive coloring service done at a top salon. "You're the one who got the new job six months ago, and then the recent promotion. Being a hedge fund manager is very prestigious. You know, the company and your clients will expect you to live somewhere more spacious, and with decent sized grounds. It fits the image. You'll be able to invite all your clients to impress them with your lifestyle. People with money need to be impressed that way, to be confident to invest. Plus, it's closer to work." "By ten minutes. Not exactly a game changer," Ronald muttered, rubbing a hand over his thinning hair and adjusting the collar of his new, Ralph Lauren golf shirt. She liked it. It was a deep shade of wine red that set off her husband's green eyes. But right now, those eyes were narrowing in a stubborn way. She noted that. But she could be equally stubborn, in fact, worse. Especially since this was a lovely house. It was unique, with so much character. Retro, she decided. With all its interesting rooms, corridors, and doors, the house was charmingly retro, so different from today’s typical open plan homes with barely an internal wall to be seen. "Time is money. You're the one who always reminds me of that," Charmaine said, with a touch of steel in her voice. “And Miami traffic can be terrible in rush hour. Snarl-ups can cause huge delays." "It's going to be too expensive for us," he frowned. "And we don't need six bedrooms. What do we need six bedrooms for? We have one child! One!" "But the child has friends. Tony can have sleepovers with all his school friends on weekends. And when your family or my family is here, they can all stay with us. You know that at some stage my mother might need to move in too." "Maybe we can rent out

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