Author/Uploaded by Dean Koontz
ALSO BY DEAN KOONTZ The Big Dark Sky · Quicksilver · The Other Emily · Elsewhere · Devoted · Ashley Bell · The City · Innocence · 77 Shadow Street · What the Night Knows · Breathless · Relentless · Your Heart Belongs to Me · The Darkest Evening of the Year · The Good Guy · The Husband · Velocity · Life Expectancy · The Taking · The Face · By the Light of the Moo...
ALSO BY DEAN KOONTZ The Big Dark Sky · Quicksilver · The Other Emily · Elsewhere · Devoted · Ashley Bell · The City · Innocence · 77 Shadow Street · What the Night Knows · Breathless · Relentless · Your Heart Belongs to Me · The Darkest Evening of the Year · The Good Guy · The Husband · Velocity · Life Expectancy · The Taking · The Face · By the Light of the Moon · One Door Away from Heaven · From the Corner of His Eye · False Memory · Seize the Night · Fear Nothing · Mr. Murder · Dragon Tears · Hideaway · Cold Fire · The Bad Place · Midnight · Lightning · Watchers · Strangers · Twilight Eyes · Darkfall · Phantoms · Whispers · The Mask · The Vision · The Face of Fear · Night Chills · Shattered · The Voice of the Night · The Servants of Twilight · The House of Thunder · The Key to Midnight · The Eyes of Darkness · Shadowfires · Winter Moon · The Door to December · Dark Rivers of the Heart · Icebound · Strange Highways · Intensity · Sole Survivor · Ticktock · The Funhouse · Demon Seed JANE HAWK SERIES The Silent Corner · The Whispering Room · The Crooked Staircase · The Forbidden Door · The Night Window ODD THOMAS SERIES Odd Thomas · Forever Odd · Brother Odd · Odd Hours · Odd Interlude · Odd Apocalypse · Deeply Odd · Saint Odd FRANKENSTEIN SERIES Prodigal Son · City of Night · Dead and Alive · Lost Souls · The Dead Town MEMOIR A Big Little Life: A Memoir of a Joyful Dog Named Trixie This is a work of fiction. Names, characters, organizations, places, events, and incidents are either products of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, or actual events is purely coincidental. Text copyright © 2023 by The Koontz Living Trust All rights reserved. No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Published by Thomas & Mercer, Seattle www.apub.com Amazon, the Amazon logo, and Thomas & Mercer are trademarks of Amazon.com, Inc., or its affiliates. ISBN-13: 9781662500442 (hardcover) ISBN-10: 1662500440 (hardcover) ISBN-13: 9781662508073 (paperback) ISBN-10: 1662508077 (paperback) Cover design by Damon Freeman Interior illustrations by Edward Bettison First edition To Gerda. To mark fifty-six years of marriage—the halfway point! CONTENTS ONE ALONE THE LAST LIGHT OF THE DAY A LITTLE FORTRESS A WORK OF ART DEPTH CHARGES TURNING DOWN THE BED AN ARTIST IS A MATHEMATICIAN WHO KNOWS THE FORMULAS OF THE SOUL SHADES DINNER WITH DAPHNE SCANNERS THE MYSTIC A MESSAGE FROM THE DEAD JUST IN CASE 3:26 A.M. AN INQUIRING MIND TWO VISITORS GUNNER LINDBLOM EVIDENCE BEFORE JACOB’S LADDER: THE THERAPIST FOXES THE GROTTO A SLIGHT INCONVENIENCE THE GULLS AND THE FOX BEFORE JACOB’S LADDER: THE ATTORNEY KEEPING WATCH THREE MEN THEIR NAMES THREE LOCKDOWN THE LONG WAY HOME A YOUNG MAN’S ACCOMPLISHMENTS FEVERISH CALCULATION ONE LESS OPTION A USELESS APPLE SHOW NO FEAR THE CRY LUPO AND HAMAL TOGETHER HAMPTON RICE WITHOUT TEA AND TABLE ALONG FOR THE RIDE MOTHER, ARE YOU THERE YET? FOUR STORM IN MEMORY OF THE DOG AN ERROR OF TIMING MEANWHILE, ON OAK HAVEN THE SOUND THAT IS NOT THUNDER GOODBYE TO ALL THAT WHISPERING TO GO DOWN IN HISTORY BELOW THE HARD WAY OUT HIS HANDS ARE INSTRUMENTS OF JUSTICE FIVE PURPOSE KITCHEN TO THE BOATHOUSE THE CALL CONTROL DOWN THE DRAIN RALEIGH CONSIDERS MOLOCH THE CROSSING THE WHY OF IT THE DEVIL OF THE STAIRS A KNOCK ON THE DOOR RALEIGH ANSWERS RALEIGH AN EXCHANGE IN THE HALLWAY SIX BRINK COFFEE SIX YEARS BEFORE THE CRISIS ON RINGROCK MOLOCH RALEIGH RECEIVES THE DEMAND WHAT WALKS THE NIGHT INTO THE OUTER DARK BEFORE JACOB’S LADDER: ONE ALONE THE LAST LIGHT OF THE DAY Katie lives alone on the island. She lives less for herself than for the dead. This is just another day in April, a Tuesday defined by isolation and hard-won serenity—until it isn’t. Built in the 1940s, her small house is a sturdy structure of stone. In addition to a bath, the residence has a kitchen, bedroom, living room, armory, and cellar. The house is on a knoll, surrounded on four sides by a yard, on three sides by woods beyond the yard. The front door faces a slope to a shingle shore, a dock, a boathouse, and open water. Her domain is a quiet refuge. She has not heard any human voice but her own in a few months, and she rarely speaks aloud. Lacking television, radio, or internet, she hoards seven CD players with six-disc magazines, which are no longer manufactured. For a few hours a day, she has music, always classical—Mozart, Beethoven, Brahms, Chopin, Haydn, Liszt. She has no interest in pop tunes or American standards. Regardless of how beautiful the voice, the lyrics too poignantly remind her of all that she has lost and all that she has forsaken. Having found peace in isolation, she won’t put it at risk. Set into the hillside, a flight of concrete stairs with a painted-iron railing leads