VenCo Cover Image


VenCo

Author/Uploaded by Cherie Dimaline

Dedication For Wenzdae Anaïs, my favourite witch Contents Cover Title Page Dedication Contents Prologue 1: The Legacy of Lucky St. James 2: The Key to Life 3: Meena Good Gets Lucky 4: Player Two Enters the Game 5: New Colour in the World 6: A Complete Fucking 180 Over General Tso Chicken and Shitty Rice 7: Dig 8: A Dark Arrival 9: The First Leg of the Journey 10: Jay Finds the Weak Link 11: Feast...

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Dedication For Wenzdae Anaïs, my favourite witch Contents Cover Title Page Dedication Contents Prologue 1: The Legacy of Lucky St. James 2: The Key to Life 3: Meena Good Gets Lucky 4: Player Two Enters the Game 5: New Colour in the World 6: A Complete Fucking 180 Over General Tso Chicken and Shitty Rice 7: Dig 8: A Dark Arrival 9: The First Leg of the Journey 10: Jay Finds the Weak Link 11: Feast Day 12: The First Spoon 13: The Circle Is the Strongest Shape 14: Hex the Patriarchy 15: Lucky’s Dream 16: Meena’s Dream 17: The Gift of Silver 18: The Tender of Buzzards Bay 19: A Busted Wizard 20: Everything in Threes 21: A Wolf at the Door 22: Death Rattle 23: Confusion and Clarity 24: The First Strike 25: The Liar, the Witch, and the Wardrobe 26: Wrestling an Alligator 27: The Big Uneasy 28: Burials 29: Mapping Out the Game 30: It Was All a Dream 31: Lucky Number Seven 32: Seeds Epilogue Acknowledgments About the Author Also by Cherie Dimaline Copyright About the Publisher iii v 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 PrologueThe Oracle Speaks The sky over Los Angeles was streaked with watery orange and soapy pink, as if the receding sun were a pulled plug. Three sleek vehicles drove up to a Bunker Hill building and stopped, waiting for the valet. When the first car’s door opened, loud hip-hop poured out as the Maiden emerged. Tight braids, designer boots disguised as army issue, cargo pants, and full-sleeve tattoos—the Maiden flashed a quick smile, revealing a diamond embedded in her left canine. The second car’s driver—a bulky man in a pinstriped suit, with a leather cap and a well-oiled beard—tipped his hat to the Maiden before opening the passenger door for the Crone. Her slender cigarette holder appeared before a lace glove, fingers curled in anticipation of the driver’s hand. The Crone was taller than one might expect, wearing head-to-toe Chanel circa 1958, with a Dior clutch to hold her smokes. Her pale face was half covered by exaggerated sunglasses tinted the same deep beige as her outfit. A pit bull jumped from the third car, all ticking muscle bundled under grey velvet. She sat near the front bumper awaiting her mistress and was rewarded with a pat on her massive head. The Mother paused beside her dog, throwing a curtain of black hair over her shoulder and tapping her stiletto, the red bottom bright against the pavement, until the valet ran over to retrieve her key. Her makeup was all shades of plum to match the Yoruban beadwork at her throat and in her lobes. When the Mother moved, the dog followed, keeping an eye on the terrified valet, who was shaking so hard the keys jingled in his hand. Together the three women entered the building, glided past the security desk and the first bank of elevators, stopping at the gold elevator doors set along the back wall. The Crone’s driver pushed the button, the doors slid open, and they were carried to the top floor. He waited till each woman had exited before stepping out, then ran ahead to hold a heavy glass door open for them. Printed on the glass, in black letters, was a single word—venco. The office could have been a fashion magazine, or a brokerage firm, or a front for arms dealers—there was no way to tell. In reality it was a massive enterprise to headhunt, recruit, and place exceptional femmes into exceptional roles—captains of industry, influencers of culture, makers of laws. For the chance to brush shoulders with feminine greatness, companies paid dearly, unknowingly shaking their

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