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Author/Uploaded by Isabella Hammad


 
 
 
 
 
 
 
 
 
 
 
 
 Also by Isabella Hammad
 The Parisian
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 Grove Press
 New York
 
 
 
 Copyright © 2023 by Isabella Hammad
 Jacket design by Alison Forner
 Jacket image: film still from Meshes of the Afternoon (1943, 16mm...

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 Also by Isabella Hammad
 The Parisian
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 Grove Press
 New York
 
 
 
 Copyright © 2023 by Isabella Hammad
 Jacket design by Alison Forner
 Jacket image: film still from Meshes of the Afternoon (1943, 16mm)
 by Maya Deren, © Tavia Ito, courtesy of Re:Voir.
 All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who ma y quote brief passages in a review. Scanning, uploading, and electronic distribution of this book or the facilitation of such without the permission of the publisher is prohibited. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. Any member of educational institutions wishing to photocopy part or all of the work for classroom use, or anthology, should send inquiries to Grove Atlantic, 154 West 14th Street, New York, NY 10011 or [email protected].
 First published in Great Britain in 2023 by Jonathan Cape, a Penguin Random House UK company
 Published simultaneously in Canada
 Printed in Canada
 First Grove Atlantic hardcover editon: April 2023
 Library of Congress Cataloging-in-Publication data is available for this title.
 ISBN 978-0-8021-6238-0
 eISBN 978-0-8021-6239-7
 Grove Press
 an imprint of Grove Atlantic
 154 West 14th Street
 New York, NY 10011
 Distributed by Publishers Group West
 groveatlantic.com
 
 
 
 for my parents
 
 
 1
 I expected them to interrogate me at the airport and they did. What surprised me was that they didn’t take very long. A young blonde female officer and then an older, ­dark-­haired one took turns in a private room to ask me about my life. They particularly wanted to know about my family links to the place, and I repeated four times that my sister lived here but that I personally hadn’t returned in eleven years. Why? they kept asking. I had no explanation. At points the exchange seemed to come bizarrely close to them insisting on my civic rights. Of course they were only trying to unnerve me. Why does your sister have citizenship and you don’t? Right place right time, I shrugged. I didn’t want to bring up my mother. They unzipped my bags, investigated my belongings, opened every play, flipped through my appointment diary with its blank summer months, and the two novels, one of which I’d finished on the plane, then led me into a different room for a strip search. Surely this isn’t necessary, I said in a haughty voice while a third woman officer ran her detector over my bare flesh, as though I might have hidden something under my skin, and dawdled over the straps of my bra and knickers, which I had matched in preparation, blue lace, and as she knelt before my crotch the laughter began to quiver in my stomach. I put my clothes back on, surprised by how hard I was shaking, and ten minutes later they called me to a booth, where a tall man I hadn’t seen before gave me my passport and told me I was free to enter, Welcome to Israel.
 I passed a seating area and recognised two ­glum-­looking Arab men and a young Western woman in red lipstick from my flight, still waiting to be questioned. Their eyes followed me to the automatic doors, and as the doors sighed apart I checked the time on my phone and saw only an hour had passed. This left me two more to kill, since my sister Haneen wouldn’t be back in Haifa until half past six. I made a snap decision and asked a taxi driver to take me to Akka. I had an idea I should see something beautiful first.
 My adrenalin faded slowly in the car. As it did, the shadow of my bad winter returned, and I watched the passing farmland, the hills of the Galilee, through its darkness. My whole life I’d been aware of Haneen’s stronger moral compass; it made me afraid to confide in her until the very last moment, until I absolutely needed to. I also wanted to resist her, the way a child resists a parent and at the same time absorbs their wisdom; I wanted to sulk in her second bedroom and feel better with the secret muffled gladness that someone was holding me to account.
 I may not have locked eyes with this fact yet, but I wasn’t only here for Haneen. After an hour and a half signs appeared for Akka, and my blood thumped a little harder, and then we turned off the motorway and drew up by the arches of the old city. I paid the driver and wheeled my suitcase down an alley, and when I saw the blue sky burning above the sea wall I stopped. I stared at the ancient stonework, at the dazzling water. I hadn’t prepared myself for this bodily impact, the memory of my senses. A few red chairs and tables were arranged beside the pier. I approached the wall, leaned my bag against it, and stayed there a moment. The sun heated my face, my hands. My armpits began to sweat. I reached for the top of the wall and pulled myself up onto it.
 Some forty feet below me, the water crashed against the parapet, foaming and jolting back. Where the wall curved on my right, a group of boys stood in a line. All elbows, hands on hips, shifting their weight from leg to leg, watching each other, waiting. Two were small and skinny, barefoot, with brown sunlit shoulder blades. Most of the older ones wore sneakers that left dark marks on the stone, and necklaces of drops fell from the seams of their shorts. The first in line

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